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Toying with Truth: Iran’s Lego-Style AI War on the U.S

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We spoke to the man making viral Lego-style AI videos for Iran. Experts say it's powerful propaganda

At first glance they look like they could be scenes out of a Lego movie, although more vivid and fast-paced.

But these viral AI videos inspired by the instantly recognisable Lego aesthetic feature dying children, fighter jets and US President Donald Trump - and are in fact pro-Iran propaganda.

For our new BBC podcast, Top Comment, we spoke to a representative of Explosive Media, one of the key accounts generating these clips. He wanted us to refer to him as Mr Explosive.

He's a savvy social media operator who initially denies working for the Iranian government. In previous interviews the outlet has said it is "totally independent". But upon further questioning, Mr Explosive admits the regime is a "customer" - something he's never before confirmed publicly.

The overriding message of these videos is that Iran is resisting what it sees as an almighty global oppressor: the United States.

The clips are garish and not subtle at all - but that hasn't put a dent in how vigorously people are sharing and commenting on them.

In one of the videos, Donald Trump falls through a whirlwind of "Epstein file" documents as rap lyrics tell us "the secrets are leaking, the pressure is rising".

In another, George Floyd can be seen under a policeman's boot as we hear Iran is "standing here for everyone your system ever wronged".

"Slopaganda" - coined in an academic paper last year as a play on 'AI slop' - is too weak a term to capture how powerful this "highly sophisticated" content is, says leading propaganda expert Dr Emma Briant.

AI-generated propaganda clips are estimated to have been viewed hundreds of millions of times over the course of the war.

In our video call with Mr Explosive, he appears silhouetted and flanked by red and green light, the colours of the Iranian flag. On his desk there's a green-feathered helmet associated with the Shia warrior Husayn ibn Ali, who features in several of their videos.

He says his team at Explosive Media consists of fewer than ten people who use Lego-style graphics "because it is a world language". Iranian and Russian state media accounts on X regularly share them to millions of followers.

We ask Mr Explosive why the Epstein files feature so heavily in his videos.

He says it's to show the audience the "kind of confrontation they are witnessing" between Iran - which is "seeking truth and freedom" - against "those who associate themselves with cannibals".

This is a reference to the theory that the Epstein files link the Trump administration to cannibalism - a claim for which there is no credible evidence.

The videos are also littered with factual inaccuracies - so we ask Mr Explosive about them.

In one clip, the Iranian military is shown capturing a downed US fighter-jet pilot. US officials have confirmed the downed airman - who was stranded in a remote, mountainous region of Iran after his aircraft was shot down - was rescued by US special forces on 4 April.

Mr Explosive does not accept this, saying: "Possibly there was no lost pilot, there was no rescue operation. Their main goal was to steal uranium from Iran."

When we push back - citing US officials who say the airman is now receiving treatment in Kuwait - he claims: "Only 13% of what Mr Trump says is based on facts."

Explosive Media's airman video has successfully amplified this alternative narrative among English-speaking audiences.

One partisan US-based TikTok influencer - @newswithsteph - told her viewers the Lego videos had been "shockingly accurate so far; they broke the story about the recent US pilot mission that wasn't a rescue mission at all but a special ops mission for uranium".

AI has enabled Iran and others to communicate directly with Western audiences more effectively than ever before, Briant says. They are using tools largely trained on Western data, making them ideal for creating "culturally appropriate" content.

This is what "authoritarian countries wanting to target the West have lacked in the past".

Dr Tine Munk, a cyber warfare expert at Nottingham Trent University, characterises Iran's tactics as "defensive memetic warfare" which the creators see as necessary to combat US rhetoric.

Explosive Media videos first appeared in early 2025 - but their popularity has grown enormously in the wake of the US-Iran war.

The Lego-style clips are also becoming increasingly detailed, showing highly specific Gulf locations including power stations, airports and industrial sites being totally destroyed by Iranian missiles.

In reality, most have only sustained limited damage.

The videos are often produced in "real time" and appear quickly after major developments in the war. One video about the ceasefire agreement was published before any official announcements.

Thousands of people have been killed in Iran, Lebanon and other Middle Eastern countries, according to officials in these nations. The current conflict started in February after the US and Israel launched strikes on Iran.

After some back-and-forth in our conversation, Mr Explosive admits the Iranian government is indeed a "customer" of his company. In earlier Instagram messages, he'd told us his operation had been directly commissioned for multiple projects by Iranian officials.

Before the outbreak of the war this year, thousands of protesters were killed in a brutal crackdown by the regime. The US-based Human Rights Activists News Agency (Hrana) reports a death toll of at least 7,000 civilians.

But Mr Explosive defends his team's relationship with the government saying it was "honourable to work for the homeland". He dismisses the recent mass protests as a "coup" funded by President Trump.

Mr Explosive also rejects allegations we put to him his videos use antisemitic tropes. "Our videos are not antisemitic; our videos are anti-Zionist," he says. Defending the depiction of Israeli Prime Minister Benjamin Netanyahu drinking blood, he says such imagery highlights the "atrocities committed by him".

Most Iranians are unable to use the internet due to a nationwide internet shutdown. Mr Explosive claims he could contact the BBC using "journalist internet" granted by the Iranian government. Iran is consistently ranked as one of the most repressive countries in the world for press freedom.

Social media platforms have been shutting down accounts with the Lego-style videos, but new ones seem to pop up just as quickly.

It's a form of agile, aggressive internet diplomacy that appears to be here to stay, according to Munk.

Crucially, she adds, it's "cutting out the middlemen, cutting out the press, the mass media, and constantly circulating memes.

"Traditional diplomacy doesn't exist here. And it blurs our understanding of what is happening. But it also increases the risk of misinterpretation and escalation.

"So we are in a kind of limbo."

 
To be really honest do these meme wars etc have any long term impact or utility? It’s good for a one time laugh, that’s about it.
 
Iran has already won the narrative war, not that they needed to, since much of the global sentiment was already opposed to this conflict. But flipping his own words back at him through music and Lego style content is probably the most effective way to reach a wide audience.

And honestly, that tracks, these AI generated memes and Lego style videos have gone viral precisely because they mix satire, music, and shareable content to shape public opinion at scale.

Iran understand the importance of it and Orange clown can't stop providing content.
 

‘Vengeance for all’: How Iran’s Lego videos won narrative war against Trump​


It’s a Lego set, with a difference.

A Native American chief rides on his horse onto a barren landscape, bathed in moonlight. The animated video rapidly shuttles between a range of people who’ve been victims of the United States government, from Black Americans in chains to survivors of Iraq’s notorious Abu Ghraib prison complex.

Then it pans to Iranian soldiers sticking large banners on missiles, as the tempo of the background music picks up. “For the stolen Blacks,” says the first one. “For the people of Hiroshima and Nagasaki,” comes up next.

“In memory of victims of Iran Air flight 655,” says another, referring to the passenger aircraft brought down by US missiles in 1988, killing all 290 people on board. “In memory of Rachel Corrie’s freedom struggle” follows, referring to the American activist who was killed by an Israeli bulldozer in Gaza in 2003. Victims of US war and abuses in Afghanistan, Vietnam and Iraq – and the “children of Epstein island” – all get similar messages, plastered on missiles that then fire off. The video ends with giant statues of US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu collapsing, and a line in bold, white and all caps: ‘ONE VENGEANCE FOR ALL.’

The March 29 video is one of many released by Explosive Media, among several Iran-based groups that have used the Lego figures and blocks that households around the world are familiar with to script a viral social media trend, bolstering Tehran’s narrative amid the war against the US and Israel.

The video depicting the multiple victims of US aggression and domestic crimes has been viewed almost 150,000 times on X. Explosive Media’s YouTube account has more recently been deleted by the Google-owned video-sharing platform.

But the Tehran-based group, which uses bespoke lyrics and rap beats to mock Trump – often using the US president’s own words to accuse him of hypocrisy and of pandering to Israel’s interests rather than America’s – isn’t giving up.

An Explosive Media representative, who requested anonymity, told Al Jazeera that their YouTube channel was shut down on the grounds of promoting violence – and that they are convinced that Lego-like brick animations are not at all violent.

“There was frustration, but no surprise – this story is not new,” he said. “We know well how the West wraps truth in silence and tries to mute every voice that speaks it.”

Deep symbolism​

The videos have ranged from sombre stories reflecting deeply on Shia-Muslim history to upbeat rap-style music videos, all set to motion in Lego-like brick figures and environments.


The Explosive Media spokesperson said the green and red featured in the animation are symbolic, as it interprets the traditions of green representing Hussain, the grandson of Prophet Mohammed and his fight for justice against oppression. Red symbolises the oppressor.

“That’s actually one of our team’s favourite animations. Especially that moment when war helmets are placed on missiles and drones – it was truly brilliant,” he said.

Other videos use phrases like “Epstein regime”, “Loser’’ and show the US president’s supporters wearing brick red hats with MAGA – Trump’s Make America Great Again movement – on them. They depict Trump’s promises to keep the US out of new wars and help ordinary working-class Americans, then use the president’s own words to accuse him of betraying his commitments and instead prioritising Israeli demands.

“LOSER is one of our best creations,” the group’s spokesperson said. It’s how Trump often refers to his opponents. “So we flipped it – and showed that, in the end, he’s the biggest loser of all.”

The Trumpesque figure is sometimes shown holding a little doll.

Another video was aimed at addressing the Lebanese people, stating that Iran’s Islamic Revolutionary Guards Corps (IRGC) will not leave them behind, released after the brutal pounding of the country, where more than 100 bombs were dropped in 10 minutes.



The team making these videos comprises 10 people, all between the ages of 19 and 25.

And they clearly have access to the internet – including US-owned social media platforms that Iran’s government has blocked access to for most Iranians since the start of the war.

In the interview with Al Jazeera, the Explosive Media spokesperson acknowledged that Iranian state media outlets are among their customers, but said the group itself was independent.

“We produce high-quality media content, so it’s natural that different local media outlets – including some state-affiliated ones – sometimes purchase our work for broadcast,” he said. “In practice, we create the content first, and if the quality is strong enough, media organisations choose to buy it from us. This way, our independence is fully preserved.”

Breaking through the noise​

Explosive Media isn’t alone. Other creators, including PersiaBoi and Southern Punk, have made similar Lego-themed videos. The trend has also spread beyond Iran to Pakistan, where local creators like Nukta media in Pakistan made their own version ahead of the first round of Iran-US negotiations in Islamabad on April 11.

Fasi Zaka, an Islamabad-based social commentator, said that the brilliance in the Lego-style videos lies in how they tackle multiple subjects amid a global information narrative that for decades – courtesy of Western media – has been set against Iran.

These videos are ways of breaking through what is an information highway stacked against them generally in times of war,” said Zaka.

Zaka said the videos, by focusing on faultlines within US domestic politics – such as on the Epstein files – had been really “smart”.

“They’re just calling it the ‘Epstein regime’, and that’s a domestic fissure that they’re choosing to bring forward again. They’re also using, like, the election MAGA tropes and being subordinate to Israeli interests, so in that the way they’re doing it, it seems like fun, but it’s really, really smart,” he said.

There’s also a deeper level of symbolism that Zaka spots. He referred to the bombing of the Minab girls’ school by the US on the opening day of the war, in which more than 160 Iranian school girls were killed.

“The war opened with an atrocity against Iranian children,” so the use of Lego – a brand and look that parents and children around the world recognise – means “it all comes together in this way”.

‘Owning smack-talk’​

Marc Owen Jones, a professor at Northwestern University in Qatar, who researches media analytics, said Iran’s efforts to win the narrative war were a critical part of its strategy, because it knows that it can’t win militarily.

“Their best bet of success is to have public opinion on their side, pressuring the United States to stop,” he told Al Jazeera. “And the communications game in this day and age is one in which this kind of troll propaganda, this kind of ‘owning smack-talk type’ propaganda wins.”

He said that the carefully chosen themes in the Lego-style videos would have resonated even more with Western audiences if they weren’t coming out of Iran – a country they’ve been told, over decades, to distrust.

Zaka argued that in many ways the undiplomatic tone and ruthless messaging in the Iranian videos mirrored Donald Trump’s own communication style.

“Ultimately, the Iranian Lego videos are very good,” Jones said. “They’re actually well thought out. There’s a lot of details in them. There’s actually a narrative. Whereas US propaganda is just, you know, explosions with Hollywood films cut through them.”
 
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