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Junoon are coming back after an absence of over a decade

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KARACHI: The wait is finally over as Pakistan's biggest rock band Junoon is set to make a return to the country's music scene after over a decade.

Geo and Sooper have partnered to bring the rock band to the Junoonis on December 25 at Karachi's DHA Sports Club.

The tickets for concert themed 'Sooper Hay Junoon Ka Pakistan' can be booked through Yayvo.com or TCS' express centre.

All tickets for Bronze Circle and Platinum lounge have already been booked while Pink, Silver and Gold tickets are available for sale.

Junoon is arguably one of South Asia’s biggest rock bands active from 1990 to 2005, with critically and commercially successful albums, international tours, awards and documentaries under there belt.

The trio’s lead vocalist Ali Azmat, lead guitarist Salman Ahmed and bassist Brian O’Connell recently released a music video of one of their popular songs lately.

https://www.geo.tv/latest/222608-pakistans-biggest-rock-band-junoon-returns-after-13-years
 
It will probably be a one off performance. I don't think another album is planned.
 
There first album was massive hit , I do not think they could match it after that. These things happen once in a while.
 
There first album was massive hit , I do not think they could match it after that. These things happen once in a while.

So Vol 1, which was released in 1991, before Brian joined, before Ali's classical training, before they had live drums, before they had pioneered the Sufi rock sound, trumps Inquilaab, Azadi and Parvaaz?
 
On topic, there has been a lot of bad blood between Ali and Salman. Hell, we were one of the sponsors for a couple of their UAE shows in Al Nasr Leisureland, which was the main venue for most things at the time and the sponsor dinners were quite uncomfortable to say the least.

Think they both have probably run out of money or people to boost their egos. Doubt if they can recreate the same magic though.
 
So once again, money trumped everything. So much bad blood between Ali and Salman over all these years and all is forgotten now for a few big bucks. Not to say that no one else has ever done that and they are the only example of bands who parted ways after major difference and then sold themselves out and reunited for a tour just to make some retirement money. Guns N Roses recent example comes to mind.

However, the fact remains that Junoon had lost their magic even while they were still together. Their last two albums, especially the last one is a complete embarrassment and sellout of the highest order. I am the least bit interested in this reunion. In my opinion, old iconic bands should never reunite.

[MENTION=22846]Nostalgic[/MENTION] [MENTION=146530]DeadBall[/MENTION] As per discussion above about Vol. I. I may not agree with [MENTION=60967]Justcrazy[/MENTION] comments about the subsequent albums being not as good as Vol.I, but its hard to ignore that album's importance. Despite the bad audio, machine drums and not so stellar vocals, that album carried one of the most iconic and memorable songs ever made by the band. Neend Ati Nahi, Jogia, Khawab and of course Heer, an instrumental which made hundreds if not thousands of kids pick up a guitar and learn it as their first ever tune. I cannot measure the impact that flawed yet inspirational album had on me. Yes, there were much more technically and theoretically better songs and albums that followed but Vol. I has this raw energy and passion to it that makes it hard to ignore.
 
[MENTION=22846]Nostalgic[/MENTION] [MENTION=146530]DeadBall[/MENTION] As per discussion above about Vol. I. I may not agree with [MENTION=60967]Justcrazy[/MENTION] comments about the subsequent albums being not as good as Vol.I, but its hard to ignore that album's importance. Despite the bad audio, machine drums and not so stellar vocals, that album carried one of the most iconic and memorable songs ever made by the band. Neend Ati Nahi, Jogia, Khawab and of course Heer, an instrumental which made hundreds if not thousands of kids pick up a guitar and learn it as their first ever tune. I cannot measure the impact that flawed yet inspirational album had on me. Yes, there were much more technically and theoretically better songs and albums that followed but Vol. I has this raw energy and passion to it that makes it hard to ignore.

Absolutely, in fact Heer was the first tablature I searched for on dial-up internet when I got my first instrument, a plywood dreadnought with a formica pickguard, an inch-high action, lowly Karuna brand strings, and tuning pegs that sometimes required pliers to turn.

Vol 1 was seminal, no doubt. It was the first rock album to make a mark after five years or so of pop albums from the nascent popular music scene. There is Arshad Mehmood reciting Faiz (Jeeain), a female vocalist on a rock song (Jogia), a song allegedly about a particularly popular prostitute (Downtown Princess), a carefully crafted album sleeve, and much more, so there's plenty to appreciate, and it has a great sentimental appeal, but suggesting that the later albums never matched it is far off the mark, and that is what I was objecting to.
 
Absolutely, in fact Heer was the first tablature I searched for on dial-up internet when I got my first instrument, a plywood dreadnought with a formica pickguard, an inch-high action, lowly Karuna brand strings, and tuning pegs that sometimes required pliers to turn.

Vol 1 was seminal, no doubt. It was the first rock album to make a mark after five years or so of pop albums from the nascent popular music scene. There is Arshad Mehmood reciting Faiz (Jeeain), a female vocalist on a rock song (Jogia), a song allegedly about a particularly popular prostitute (Downtown Princess), a carefully crafted album sleeve, and much more, so there's plenty to appreciate, and it has a great sentimental appeal, but suggesting that the later albums never matched it is far off the mark, and that is what I was objecting to.

Agree and I kind of knew what you were getting at in your initial post.

I learned Heer like so many others by ear, wish I had internet back then. In fact I wrote tabs for it myself. Another song I wrote tabs for, 'The day she left' which was on Amir Zaki's Signature album, another tremendously influential album. I had a junk acoustic back then as well. Some Yamaha knockoff which was only good for turning my fingertips into drumstick shaped calluses in a very short period of time.

Back to Vol.I, it also has perhaps the most devotional fan song ever written about a cricketer by a rock band in Game of Chance. Nusrat's vocals on Khawab are legendary but his voice on Sunn which is perhaps based on a Raag are pretty deep and impactful as well, especially those high notes/screams. I wonder what would have happened to Junoon if Nusrat would have stuck around. Not to take anything away from Brian, he is technically sound and a capable musician but he lacked in creativity and always played second fiddle to Salman. Perhaps that is why he managed to stay with the band for so long, must be suffocating being the person in the middle dealing with two huge egos.
 
I wonder if they are still as good as before. I attended a concert of Ali Azmat around 2 years back and I was so so disappointed. He seemed to have really regressed in every aspect. But I must say the hype circulating this reunion concert is something unheard of and the ticket is one of the costliest in my recent memory so I hope they do not disappoint the audience.
 
Salman Ahmed was on my flight going from Istanbul to Karachi a week ago. Glad that people just smiled at him and acknowledged his presence but didn't start crowding him or asking for autograph.
 
This reunion is entirely for commercial purposes, but I think it could provide a boost to the music (especially rock music) scene in Pakistan.
 
What went wrong between them in the first place? Why did they disband at the peak of their popularity?
 
What went wrong between them in the first place? Why did they disband at the peak of their popularity?
Same that usually happens to such people at the peak.. ego, greed, some more ego, difference of opinion, etc, etc..
 
<div style="width: 100%; height: 0px; position: relative; padding-bottom: 56.250%;"><iframe src="https://streamable.com/s/uav2z/hqqra" frameborder="0" width="100%" height="100%" allowfullscreen style="width: 100%; height: 100%; position: absolute;"></iframe></div>

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I wonder what made them get back together after all these years?
 
I wonder what made them get back together after all these years?

Sooper biscuits have offered them good money. So doing concerts here and there will benefit them all.

Doubt they will make new music together considering how the industry is doing.
 
<div style="width: 100%; height: 0px; position: relative; padding-bottom: 56.250%;"><iframe src="https://streamable.com/s/uav2z/hqqra" frameborder="0" width="100%" height="100%" allowfullscreen style="width: 100%; height: 100%; position: absolute;"></iframe></div>

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And here it is....



<iframe src="https://player.vimeo.com/video/338614987" width="640" height="360" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
<p><a href="https://vimeo.com/338614987">WhatsApp Video 2019-05-27 at 03.24.17</a> from <a href="https://vimeo.com/user98619008">Green Man</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
 
Junoon launches new song for cricket lovers after 15 years

LAHORE-Nothing represents the joy of cricket better than music. In Pakistan, cricket and music summon a combined power that brings the whole nation to its feet, heightens the senses, flaunts the identity and brings everyone together as one.

With the World Cup starting soon, Junoon has managed to bring the passion of cricket to life with their liveliness, power, and dynamism. With the release of the much anticipated cricket anthem “Badleinge Jahaan” in association with Peek Freans Sooper, Junoon is back with a bang after 15 LONG years and they couldn’t have picked a better occasion.

The cricket anthem heavily draws its power from an emotional place – with the video featuring minorities and marginalized communities of the country who are an equal part of Pakistan.

Junoon manage to deliver a crucial message because there is nothing that binds us together more than our love for cricket. The Video showcases the authentic, unique and diverse representation of what people do, when this passion takes over the country.

“Badleinge Jahaan” is empowering and celebratory, it evokes feelings of heritage and a sense of belonging. It isn’t meant to be just a World Cup song, rather it is meant to resonate with the Pakistani fans - of cricket and of Junoon. The lively energy of the song, the catchy tune, and the upbeat music has the potential to become a fond memory for the years to come.

Peek Freans Sooper has once again proved to be the brand that celebrates Pakistan and everything that is associated with it. It has always tried to make the country’s name shine in the world’s map, and “Badleinge Jahaan” is a proof of that.

https://nation.com.pk/29-May-2019/junoon-launches-new-song-for-cricket-lovers-after-15-years
 
Junoon is coming to ChicagoDallas on Oct 19-Oct20 -- dunno If I'm gonna be here, but if in States hoping to catch, has anyone caught their comeback show are they still good?
 
Junoon is coming to ChicagoDallas on Oct 19-Oct20 -- dunno If I'm gonna be here, but if in States hoping to catch, has anyone caught their comeback show are they still good?

The comeback show is finally uploaded to Youtube by the drummer you should take a look.
 
I never found Junoon’s music very appealing (bar the very first album, which was good). The whole Sufi Rock thing was a flop for many.

And now this come back is only a cringe.. Time has moved on, they should ve retired gracefully.
 
I was and am a Vital Signs fan myself.

Whilst Junoon made some great songs, I found them too guitar/rock heavy.
 
Thes guys were great! Happy they are coming back. I remember at an Indian show many stars especially Kajol was dancing to Sayonee
 
I never found Junoon’s music very appealing (bar the very first album, which was good). The whole Sufi Rock thing was a flop for many.

And now this come back is only a cringe.. Time has moved on, they should ve retired gracefully.

Them coming back can be cringe but don’t think sufi rock was flop for many, it was flop for few.. I listened to many Junoon tracks even during my college years when they were done and dusted much before.
 
They are past their sell by date. The "Choolay Aasman" Pak WC theme song doesn't do anything for me. I did like their soft rock stuff from years back, it was wonderful at that time. Their Sindhi and Punjabi lyrics were awesome and refreshingly different.
 
Juggling multiple interests after his recovery from Covid-19, Salman Ahmad sure knows how to rise from the ashes. But come what may the guitarist and Junoon founding member does not bite his tongue.

These days, Ahmad is giving finishing touches to his documentary series on the life of Prime Minister Imran Khan, titled Spiritual Democracy. What was a project long in the making is fueled by his decades-old friendship with Khan and a passion for bringing change in society.

“After my recovery from Covid-19, I immediately wanted to interview Khan because I saw how well Pakistan had coped during the first and second wave of Covid-19, compared to Iran, India and Bangladesh,” Ahmad recalled in a conversation with The Express Tribune.

Donning a navy blue United Nations cap with a bright red jacket in Karachi’s sweltering heat, Ahmad constantly strummed on his acoustic guitar, refusing to put it down. It was apparent that after previously enjoying the discomfort of being a rebel with Junoon, Ahmad was aching in the comfort of his couch now.

While India has a plethora of cultural figures that can be studied, Pakistan’s international image is tainted with allegations of breeding terrorists. So with 'Spiritual Democracy', my docu-series on PM Imran, I want to tell the world that not every practicing Muslim is Osama Bin Laden, some are like our PM.”

“As a UN ambassador and lecturer having spoken at Harvard and Yale, I have various students requesting me for material about Pakistan to study its cultural prowess. And while India has a plethora of cultural figures that can be studied, Pakistan’s international image is tainted with allegations of breeding terrorists,” remarked Ahmad. Thus, with Spiritual Democracy, Ahmad wants to “tell the world that not every practicing Muslim is Osama Bin Laden. Some are like our PM.”

The musician, who claims he opted out of Vital Signs because of their purported interest in making more songs like Dil Dil Pakistan, as opposed songs like Ehtesaab, also provided an explanation for his now change of direction. “All humans are affected by politics. Growing up in the States, I followed artists like John Lennon, who was a social activist-cum-artist. So I never wanted to settle for quintessential pop songs like Hawa Hawa. But I was always outvoted in Vital Signs,” lamented Ahmad, adamant on making music with a voice.

Recalling how Rohail Hyatt and Shahzad Hasan (Shahi) would often tell him to hold his thought because people would “beat us up if we sang Iqbal’s poetry,” Ahmad went on to intertwine social justice and music with Junoon, leading to its ban on PTV. “That was the only channel we had and it would always report ‘positive news’. So when Ehtasaab came out, we became traitors.”

“I think one needs to look at, what the person, who claims to stand for a particular cause, was up to before standing up for that cause became popular. And while we all can evolve, we need to speak our truth. With Imran Khan, I know I am speaking mine.”

Junoon was also courted for a controversy during their tour to India, when the Indian government was testing its nuclear arsenal. “I had given a statement saying, ‘there should be cultural fusion instead of nuclear fusion.’ We received a lot of backlash for that,” recalled Ahmad, laughing. “It is said, ‘say nothing, do nothing, be nothing.’ So I’ve never hesitated from speaking my mind.”

But now, Ahmad feels Pakistan has a chance to rewrite its narrative. Because while he is doing something he has condemned all his life, which is advocating for a ‘soft image,’ he feels he is speaking the truth. “I think one needs to look at, what the person, who claims to stand for a particular cause, was up to before standing up for that cause became popular. And while we all can evolve, we need to speak our truth. With Imran Khan, I know I am speaking mine.”

For Ahmad, 1985 was the beginning of him closely observing Khan’s leadership. After batting against him at the Lahore Gymkhana, Ahmad managed to score 64 runs. He then accompanied the Pakistan cricket team going to Bangladesh after. “Being the captain, Imran Khan called me when a player from the team got injured. It was then, that I saw Khan’s leadership, how he made everyone feel valued and like an integral part of one body. Fast forward to now, I still see the same qualities in him.”

“The name Junoon came to me in a dream. I left Vital Signs and naturally the best option was to go back to medicine. But then I had a dream in which I saw an old man clad in all white. He grabbed me by the shoulders and shook me saying, ‘you have Junoon in you.’ It was then that I realised how badly I wanted to tell young people to follow their heart.”

Khan, who spent most of his youth abroad, also reminded Ahmad of all the overseas Pakistanis who felt what he felt. “As an overseas Pakistani, I know that people think we can’t advocate for a leader without living under his governance. But while we can’t speak about internal affairs, we can talk about how Pakistan looks from afar,” he reserved. “For me, Pakistan is about its rich history, culture, and cricket. But that’s not the case for everyone. Overseas Pakistanis witness, first hand, the consequences of Pakistan’s negative image. And since we remit around 31 billion dollars to Pakistan each year, I think it’s only fair we get to participate in building its image.”

About the term ‘Spiritual Democracy,’ however, which has been explained by Khan in the first episode of the series released earlier in October, Ahmad maintained, “Back in the 90s, I read a lot of Allama Iqbal. It’s difficult to comprehend but that’s where I first came across the term. Then 10 years ago, Imran Khan made a speech in which he mentioned how he had a vision of spiritual democracy and that stuck with me.”

He also recalled why he named his band Junoon while starting out. “The name Junoon came to me in a dream. I left Vital Signs and naturally the best option was to go back to medicine. But then I had a dream in which I saw an old man clad in all white. He grabbed me by the shoulders and shook me saying, ‘you have Junoon in you.’ It was then that I realised how badly I wanted to tell young people to follow their heart.”

And as for the people condemning Ahmad’s use of the term Junoon to advertise his own gigs, as well as his apparent “lip synching” on Ali Azmat’s voice, Ahmad resorted, “To all the Twitter trolls, Brian, I and everyone in the band has been providing backing vocals for so many Junoon songs. And since I’ve written the songs, I feel I should have the right to sing them however I please. As far as the name is concerned, I have always had the trademark for it so I have the right to use it.”
 
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