Atif Aslam responds to criticism on singing a Bollywood number during Independence Day celebrations

[MenInG]

Atif Aslam has responded to “fake propaganda” against him following a concert in New York.

The singer faced backlash on social media after reports did rounds claiming that he sang one of his Bollywood songs at a Pakistan Independence Day Parade in New York.

Following the criticism, the singer took to social media and said, "Simply love my haters. The green flag is my identity."

Thanking his fans for the support, the singer wrote, "I am happy and proud that my fans know how to respond to fake propaganda."

Aslam further expressed hope that in "Naya Pakistan people learn to respect those who have made the country proud world over".





While many had criticised Aslam for singing a song which he had originally recorded for a Bollywood film, fellow singer Shafqat Amanat Ali had defended him.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">I stand in support with <a href="https://twitter.com/itsaadee?ref_src=twsrc%5Etfw">@itsaadee</a> for singing his songs at the parade. Music is not Indian or Pakistani. It is just music! Singers r synonymous with their songs which r loved equally by fans from every country. Should have briefed him if they wanted national songs <a href="https://twitter.com/hashtag/AtifAslam?src=hash&ref_src=twsrc%5Etfw">#AtifAslam</a></p>— Shafqat Amanat Ali (@ShafqatAmanatA) <a href="https://twitter.com/ShafqatAmanatA/status/1026891010322956288?ref_src=twsrc%5Etfw">August 7, 2018</a></blockquote>
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[UN talkz]

You don't respond to trolls, as simple as that

 

[Bhaag Viru Bhaag]

Beautiful message by Shafqat Amanat Ali.

 

[lahoriyah1234]

Pakistani people love Indian songs, but I dont get it, why deny it and only react to it when it comes to show that you are Pakistani. Amanat saab is right he should have been briefed. Music has no borders or nationality, it must be loved and respected whether it is from india or pakistan. Pakistan and Indian ppl need to chill and works towards peace and harmony in the region.

 

[Arham_PakFan]

Such a non-issue.Atif was the singer of the Indian song anyway.And nothing in the lyrics were related to India.

 

[imrankhannsu]

If Sony Nigam sang a Strings song on Indian Independence day would he be showered with flower necklaces?

 

[Arham_PakFan]

If Sony Nigam sang a Strings song on Indian Independence day would he be showered with flower necklaces?

Atif Aslam was singing an Atif Aslam song.

If Sonu Nigam had sung one of his own songs(for a Pakistani movie) there wouldn’t,or shouldn’t have been,such a reaction.

 

[imrankhannsu]

Atif Aslam was singing an Atif Aslam song.

If Sonu Nigam had sung one of his own songs(for a Pakistani movie) there wouldn’t,or shouldn’t have been,such a reaction.

I think if any Indian sang in a Lollywood movie, these days would not get a positive reaction by their compatriots

 

[Arham_PakFan]

I think if any Indian sang in a Lollywood movie, these days would not get a positive reaction by their compatriots

Well a few do.I remember Ankit Tiwari and Mika Singh from recent times.

But you’re right.Both sides of the border are getting volatile now.

 

[MenInG]

Apparently this song doing well for him

12 Bajay - Atif Aslam

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[MenInG]

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font-family:Arial,sans-serif; font-size:14px; font-stylermal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/B6VNGpwllxM/?utm_source=ig_embed&utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-stylermal; font-weightrmal; line-height:17px; text-decorationne; word-wrap:break-word;" target="_blank">Ladies and gentlemen our NEW arrival Alhamdulilah. Both mother and baby are fine. Keep us in your prayers and don’t forget to say Mashallah #atifaslam</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-spacewrap;">A post shared by <a href="https://www.instagram.com/atifaslam/?utm_source=ig_embed&utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-stylermal; font-weightrmal; line-height:17px;" target="_blank"> Atif Aslam</a> (@atifaslam) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2019-12-21T1040+00:00">Dec 21, 2019 at 2:35am PST</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>

 

[MenInG]

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Lovely rendition of the Azan

 

[MenInG]

I believe we haven't given our artistes their due credit: Atif Aslam


Renowned Pakistani cricketer Shoaib Malik has taken to social media to launch his very own virtual talk show like many others in this pandemic outbreak, and as his first guest, Shoaib invited none other than Atif Aslam.

Atif, who is easily one of the most recognisable voices in South Asia is notably private but shed his inhibitions for this special episode for his decade-old pal Shoaib. And, he had a lot of little candid confessions in store! He even sang a song with a mask on, in a melodious feminine voice.

However, Atif also shed a serious light on the plight of many successful artistes in the country.

When asked about how he feels about his patriotism being questioned because he lends his voice to Bollywood songs, Atif said, “I believe we haven’t given many artistes their due credit.” He went on to explain, “Artistes who’ve lit up Pakistan’s name, propagated it to the world when people didn’t know what Pakistan was, like Nusrat Fateh Ali Khan sahab did a lot of work.”


“Even now, if you talk about the recognition of an artiste – in our passport, there is a space where you specify your profession and around 4-5 years back I noticed that there was an option for choosing ‘beggar’ but not a ‘musician’ or ‘artist’,” he added.

He then reiterated how we, as a nation, need to appreciate “our art, our culture, and we need to celebrate our sportsmen, musicians, artists.”

Atif also mentioned that we need to appreciate and care for our “intellectuals, poets and philosophers” because they are extremely precious.

He then jumped to talking about people questioning him and said, “When you don’t like something about someone or when you start envying them, you start pulling their leg in whatever way you can, without knowing any truth.”

“I belong to this country, I am from this country and I am very proud of this country. I am proud of myself, Alhamdulillah (Thank God)…” he said before Shoaib reassured him that he is the pride of Pakistan, which he undoubtedly is.

https://tribune.com.pk/story/2237532/4-believe-havent-given-artistes-due-credit-atif-aslam/

 

[MenInG]

Pakistan’s heartthrob Atif Aslam has established himself as a bonafide global icon who is adored for the unique style. Even though the singer keeps his personal life private but in his recent interview, he made some intriguing revelations.

But recently the singer Atif Aslam got candid about how he never thought that singing would be his career in a digital talk show AB Talks. The interview host Anas Bukhash launched an interesting interview where the 37-year-old delved into details about his private life.

"I was planning to become a professional cricketer; I was an athlete," he revealed, "I worked really hard at it but my parents took it as a hobby and didn’t know how good I was. That led to me giving up on cricket as I was skipping classes, catering to my interest in taking wickets."

Discovering his love for music, Aslam shared his life took a turning point where he found his true calling at the lowest point in his life.

"I think I explored myself in that I did not have any sort of an outlet and was in dire need of one. I became quiet and lonely, About 23 years ago, my brother had introduced me to Nusrat Fateh Ali Khan. While I felt alone and at my worst, his [Nusrat Fateh] music calmed me, brought me closer to God and when I started praying, I started getting the answers."

"During that time, I explored and found my own voice. I didn’t know that this would become my career. It all started when we were shifting, the house was empty as the night sky prevailed at almost six in the evening. I started singing, my voice echoed through the four walls and upon reaching the high-notes, I was scared of my own voice."

Fondly reminiscing about his first-ever song, the superstar shared his humble beginning saying that he invested his own money into the single.

"I recorded my first song Aadat out of my pocket money. It took me a few seconds to upload it on the internet when there was nothing like WhatsApp. People started loving it and led to the making of a music video. The rise of my career began from that moment.", he revealed.

Atif also added how he appreciates his wife for standing by his side despite him being difficult at times.

https://en.dailypakistan.com.pk/12-...s-problematic-childhood-and-successful-career

 

[Saj]

Renowned Pakistani artist Atif Aslam spoke about how he never anticipated being a singer as he was very athletic and wanted to be a professional cricketer instead.

Speaking in a talk show, the singer revealed, “I was planning to become a professional cricketer; I was an athlete.”

“I worked really hard at it but my parents took it as a hobby and didn’t know how good I was. That led to me giving up on cricket as I was skipping classes, catering to my interest in taking wickets.”

The ‘Doori’ singer disclosed that his talent came out when he wasn’t at a good point in life. It is then that he discovered his passion for music.

“I think I explored myself in that I did not have any sort of an outlet and was in dire need of one. I became quiet and lonely,” he said.

“About 23 years ago, my brother had introduced me to Nusrat Fateh Ali Khan. While I felt alone and at my worst, his music calmed me, brought me closer to God and when I started praying, I started getting the answers.

“During that time, I explored and found my own voice. I didn’t know that this would become my career. It all started when we were shifting, the house was empty as the night sky prevailed at almost six in the evening. I started singing, my voice echoed through the four walls and upon reaching the high-notes, I was scared of my own voice.”

The chart-topping singer launched his first single ‘Aadat’ with investing his own money into the production of the song.

“I recorded my first song Aadat out of my pocket money. It took me a few seconds to upload it on the internet, when there was nothing like WhatsApp. People started loving it and led to the making of a music video. The rise of my career began from that moment.”

https://www.bolnews.com/entertainme...o-become-a-professional-cricketer-atif-aslam/

 

[MenInG]

Every time Atif Aslam raises his hand in prayer a blessing falls from the sky, and with it, a kalaam that everyone listens to. The crisp white kurta shalwar and the soft top lighting almost give the impression that divine light is embracing Pakistan’s most sought-after voice.

Maybe, it has already entered his heart and is trying to find a place in his voice; a voice that fumbled surprisingly when he recited Wohi Khuda Hai. The fumbling didn’t look bad, just like nothing coming out his throat feels bad, it rather felt odd, as if he is onto something, both musically and spiritually, that something however wasn’t clear yet.

Indeed, the journey is strictly inner, personal, and not up for public scrutiny. But the way Atif Aslam’s recent non-devotional releases, namely Kaddi Tay Hass and Raat failed to pick up on the internet as wildly as the rest of Atif, explains how devotional music has certainly taken the singer seriously even if one doesn’t get to see that seriousness replicated in his devotional expression. As they say, if destiny wants it then the sea expands to quench the thirst of the far-away traveller.

Atif’s recent offering is an ensemble rendition that ticks all the boxes of his signature Naat/Hamd presentation minus a beverage bottle hovering somewhere in the background. Mustafa Jaan-e-Rehmat Pe Lakhon Salaam is also typical in the sense that the rendition is divorced from the rules of Urdu/Arabic diction with words such as Aaqa and Qaahir being casually stressed in the song as Aaka and Kaahir with a K sound instead of a Q, the way it is supposed to be rendered in both Urdu and Arabic.


The rest of the singers in the ensemble aren’t very different either with minor exceptions of Ali Pervaiz Mehdi and Kumail Jaffery who render the phrases with relentless ease and command over the Naat genre if not the language. Ali Pervaiz Mehdi does mispronounce the word “Shafa'at” as “Shifa'at”. The other singers include Nouman Javed who has also directed the video and Ahsan Pervaiz who has produced the audio.

The glorious kalam

You won’t see a person reciting (or singing) Mustafa Jaan-e-Rehmat or Lakhon Salam all alone in a mosque or a khanqah. Never. For over a century, this kalaam, written by Ahmed Raza Khan Barelvi, has always been performed by a Naat Khwan or a qawwal with the audience religiously joining in the chorus. As if it has an inherent function to connect with its reciters; a unique performative aspect that is not written but understood.

Composed in Raag Bhairavi, the tune seems to have been exclusively reserved for this evergreen kalaam which is always recited at the end of a Mehfil-e-Naat or, in some cases a qawwali mehfil.

Yes, you will always hear it at the culmination of a religious gathering. It’s a norm. And you won’t find any other kalam sung in this tune. It’s exclusive. What else you won’t find is a Sufi follower, at least in the subcontinent, who has not heard it for hundreds of times. This naat is recited after Fajr prayers in mosques in the holy month of Ramazan, after Friday prayers the whole year, in graveyards, at shrines. It’s on our devotional syllabus.

Nevertheless, not many people are aware that this magnum opus has 171 couplets. And if we get to count the kalaams written by other poets on this radeef – Lakhon Salam (A Hundred Thousand Blessings) – hundreds and thousands of couplets can be found in Naatia literature.

A new dawn for Naat

overshadowed the traditional style of eminent Naat reciters, such as Qari Waheed Zafar Qasmi and Saeed Hashmi. Ironically, the rich religious tradition was taken to a point where some Naat reciters-turned-Youtubers ended up making their recitations ‘meme material’.

The Naat art form even saw a phase where naats were regularly composed on the tunes of popular Bollywood songs. Of course, ripping off a Bollywood melody is as bad as ripping of any other song but a number of times the tune would be so familiar that the listener would end up humming the original song in the flow, not realising, how something devotional turned into a rather sleazy exchange of romance.

On the contrary, qawwals based in Pakistan blame Bollywood for ‘commercialising’ qawwali. Whatever ‘commercialising’ actually means here is a separate debate, but on further inquiry, you find out it implies, that Bollywood took the sacred away from qawwali. Starting from Rishi Kapoor’s famous Pardah Hai Pardah in Amar Akbar Anthony to Shah Ruk Khan’s Tum Se Mil Ke Dil Ka from Main Hoon Na, the qawwals have a list of qawwalis to cite as an abomination of Hazrat Amir Khusrau’s baby.

While the NFAK and Rahat chapter in this conversation is usually muted or ignored the more important dialogue waiting to be had is at what point does the sacred get sucked away from Naat? Can someone with no family history in the tradition or lineage of scholars appear from peripheries of devotional music and inspire a completely new generation of listeners to recite Durud?

Can that person have the impact and voice that connects with today’s listeners without the usual religious credibility? Najam Sheraz showed glimpses of that after his overt acceptance of religious transformation and subsequent release of Na Tera Khuda Koi Aur Hai, Atif Aslam seems to be riding that wave without accepting or rejecting anything.

For many generations, Naat was synonymous with a serene and soothing voice, though with a respectful show of vocal magic – exactly the one which we get to hear from Atif’s companion Ali Pervez Mehdi in Mustafa Jaan-e-Rehmat. What needs to be appreciated about the ensemble as a whole is how they have managed to retain the decorum of Naat, despite the obviously sloppy jump cuts in the video and diction issues discussed earlier.

Eventually, this rendition is a testament to how Atif has become the poster boy of devotional pop without giving into state-funded patriotic endeavours. His is a solo effort that has brought him from being the voice of Ranbir Kapoor singing to woo Katrina Kaif when it was needed, to being the epitome of spiritual singing for a generation that considers him their icon, because it is being demanded.

Atif seems to have turned what was a niche for others, into the mainstream for him, as the likes of Rohail Hyatt continue to negotiate the avatar of a modern Sufi on Twitter. Let’s hope neither of them ends up like the Sufi who fought Jihad with a guitar. On that note, Ramazan Mubarak!

https://tribune.com.pk/story/2295237/is-atif-aslam-rescuing-naat-from-the-bollywood-pop-takeover

 

[Bhaag Viru Bhaag]

He is a brilliant singer and has many indian fans. He has stopped singing for Bollywood movies but thanks to Youtube people from India can still listen to his songs.

 

[SpiritOf1903]

Pakistanis are enamoured with Bollywood, actresses can't get get there fast enough yet there's an anti-Hundu sentiment based on what I'm not sure and generally, most of the population is religiously 'confused'. What a nation

 

[rockyboy2018]

I don't think so he could sing as good as this during live shows. Shoaib Akhtar is a better singer than him. My honest opinion.

 

[ManFan]

Pakistanis are enamoured with Bollywood, actresses can't get get there fast enough yet there's an anti-Hundu sentiment based on what I'm not sure and generally, most of the population is religiously 'confused'. What a nation

Yes and you can say the same in reverse with regards to India.

Only difference is that India has a much larger and richer film market. And wherever money goes, people have always followed. Which is why you see Pakistani films follow the same Indian masala recipe since Sholay.

As far as “religiously confused”, I’m not even sure what that means. If you mean conflicts within one religion between different sects, that’s bound to happen anywhere.

It’s only accentuated in Islamic countries now because Christian-majority countries have become less religious so their divisions are not based on religion. Much more so on political and social issues related to the times and culture.

 

[ManFan]

Pretty stupid to sing that song when you consider the recent tensions.

All these “peace-lovers” were booted out when tensions broke loose after the Pulwana incident.

I wish they could be more honest and just say, “India pays more”. At least you could not call them hypocrites.

 

[SpiritOf1903]

Yes and you can say the same in reverse with regards to India.

Only difference is that India has a much larger and richer film market. And wherever money goes, people have always followed. Which is why you see Pakistani films follow the same Indian masala recipe since Sholay.

As far as “religiously confused”, I’m not even sure what that means. If you mean conflicts within one religion between different sects, that’s bound to happen anywhere.

It’s only accentuated in Islamic countries now because Christian-majority countries have become less religious so their divisions are not based on religion. Much more so on political and social issues related to the times and culture.

Some Pakistanis, especially since kartarpur opened are in reverence of nanak. I'm not sure where that places a Muslim with regards belief ..

 

[Cpt. Rishwat]

Speaking in a talk show, the singer revealed, “I was planning to become a professional cricketer; I was an athlete.”

“I worked really hard at it but my parents took it as a hobby and didn’t know how good I was. That led to me giving up on cricket as I was skipping classes, catering to my interest in taking wickets.”

There in a nutshell is why you don't see many professional Pakistani footballers in Britain. Sports or entertainment just aren't considered serious professions among immigrant communities, and it will take another couple of generations before we start seeing this mindset filtered out.

 

[SpiritOf1903]

There in a nutshell is why you don't see many professional Pakistani footballers in Britain. Sports or entertainment just aren't considered serious professions among immigrant communities, and it will take another couple of generations before we start seeing this mindset filtered out.

Not sure that holds water given British Pakistanis are not exactly renowned for academia. Systemic racism is the main racism. Hence why players like Nabi bros fall by the wayside and nowadays Indian footballers are sided by influential Indians within think-tanks such as Arun Kang and piara powar.

I think Indians are going to be very common in football the next ten years and there'll still be no notable Pakistani of any note at even EFL standard.

Just look at Villa pandering to punjabi community with raikhy and Suleiman having to forge a career in Portugal; some of Aston Villa's best players at present are Muslim.

There's a specific disdain towards Pakistanis within British. Football and its fans.

 

[Bigboii]

Some Pakistanis, especially since kartarpur opened are in reverence of nanak. I'm not sure where that places a Muslim with regards belief ..

It makes absolutely ZERO difference

Revering someone for the values that particular historical figure represents vs worshipping someone are VASTLY different things

If someone revere Buddha, Jesus, Ram it doesn'tean religious confusion but just respect for the good moral values these characters represents

 

[SpiritOf1903]

It makes absolutely ZERO difference

Revering someone for the values that particular historical figure represents vs worshipping someone are VASTLY different things

If someone revere Buddha, Jesus, Ram it doesn'tean religious confusion but just respect for the good moral values these characters represents

Except this person supposedly went out of his way to insult the Qibla and was antithesis to Islam. What was so virtuous of him?

 

[MenInG]

Rafta Rafta, Atif Aslam’s much-awaited song and its music video released yesterday. Starring Sajal Aly, the latter was a treat to watch. But the track itself was a sub-par attempt at a feel-good, romantic number, especially when compared to the impeccable ballads Atif has offered plenty a times before.

With its monotonous music and clichéd lyrics, the song disappoints to say the least. So much so, that even Atif's vocal range and texture can’t save the day. Oddly enough, as pretentious as the part in Punjabi seems, it does however; add a little flavour to the track.

But the samples layered with the tabla make it reminiscent of so many Bollywood numbers that it can as well be mistaken for one. In retrospect, Rafta Rafta is just one of those songs that take away from what Atif is truly capable of. His singing, albeit, makes it passively listenable but nothing you would willingly, enthusiastically play in your car or sing along to. If anything, Rafta Rafta is just another Atif original that proves he is currently struggling with creating or nailing original tracks.

The music video, on the other hand, is a three and half minute fairytale shot against the picturesque backdrop of Skardu. And had it not been for this video the song would’ve fallen face-flat.

It sees Sajal and Atif in their finest attires staring into each other’s eyes. And Sajal’s charm, paired with Atif’s grit make for a pleasing watch. The two bask in the glory of the mountains and camp alongside a beautiful lake only to gaze at the stars together. They also end up on a romantic dinner where Atif proposes to Sajal, making the video all the more dreamier.

Prior to Rafta Rafta, Atif's Raat wasn't much of a hit either. But his renditions are a different story. Setting the bar high with Mustafa Jaan-e-Rehmat, Atif went on to recreate Noor Jehan’s Aashiyane Ki Baat. Titled Dil Jalane Ki Baat, Atif's version of the song fused elements of South Asian Classical music with a western sound, almost mimicking a trance number. The mid-song climax followed by a soft breakdown without disposing off of the percussions, offered an almost heightened Qawali experience that can leave one wanting more.

Nevertheless, Rafta Rafta has been released under the label of Tarish Music, directed by Hassam Baloch, jointly produced by Tarun Chaudhary, Omar Ahmed and penned by Raj Ranjodh. The music video has been directed by Hassam Baloch.

[utube]B-J_PuEhyOM[/utube]

Express Tribune

 

[shaz619]

There in a nutshell is why you don't see many professional Pakistani footballers in Britain. Sports or entertainment just aren't considered serious professions among immigrant communities, and it will take another couple of generations before we start seeing this mindset filtered out.

I always found that one a bit odd now considering how you can pursue a pro sport and higher education, if that sport is cricket then you just need to find an MCC university and if it’s another sport or cricket then the best place to be is Loughborough, many cricketers from England in the past have higher education qualifications and am sure Imran did both to when he was here in England, it is difficult but certainly possible, Shan Masood is another recent example.

 

[PakLFC]

India was right in throwing out people like Atif Aslam. Tough lesson for these so called Pakistanis who are and were desperate to work in India.

 

[MenInG]

In 2017, Atif Aslam made headlines, not for his flawless singing but for being a knight in shining armour. He had called out a man in the crowd for harassing a woman while he was performing live. While the pop icon’s sense of responsibility and chivalry was rightly appreciated, the fact remains that such disturbing incidents continue to occur on a regular basis.

They only get reported if a celebrity responds to them or if a victim recounts the ordeal on social media. For the latter, such confessions also open the floodgates for victim-blaming and shaming.

In a deja vu of sorts, Atif recently called off his performance in Islamabad midway to save families from being harassed. Conflicting reports have surfaced on social media with eyewitnesses recalling different reasons as to what unfolded at the ill-fated event.

According to one, the crowd threw bottles at Atif, which prompted him to leave the stage halfway through his performance. According to some other sources, women were being groped and harassed by men in the audience. Many took to social media and called out the management for the poor security.

The 'eye-witness' account:

A user, who attended the first day of the much-advertised food festival, commented, "Pathetically organised Taste Plus festival in Islamabad. Advising people to not attend the rest of it because there's no point. Is no place safe anymore? Atif left midway because he couldn’t tolerate how the crowd was behaving."

Another one pointed out the same while advising everyone to not go to the next two days of the three-day event. "Islamabad Taste plus was the worst event I ever attended. Overall ill management, the worst crowd and stupid hosts plagued the show. Atif Aslam abandoned the show after a few songs. Not recommended for the remaining two days!" the tweep penned.

One more commented, "Just attended what was supposed to be a concert of Atif Aslam at TastePlus in Islamabad. I'm disgusted by the kind of vile behaviour the crowd had. Such a disappointment that a person with a global fan following had to leave before concluding."

A user went on to add, "Atif Aslam shortly after arriving at a concert in Islamabad, left midway after reports of multiple harassments within the crowd." Another revealed, "Atif Aslam was incredibly gracious and consoled a female victim, seen above as members of the crowd laughed on and threw rubbish at the stage."

Many called out the organisers for the mismanaged event. "The disorder and mismanagement of these people are such that yesterday was Atif Aslam's concert, they could not handle it properly. Atif Aslam had to leave his concert in Islamabad due to mismanagement.


Knight in the shining armour:

Many attendees sang praises for Atif's prompt reaction.

"Whatever happened last night in Islamabad's concert was absolutely pathetic. Atif Aslam winning hearts over and over again," one remarked, while another tweep added, "Just got to know that, another mismanaged event 'Islamabad Taste Festival' happened in Islamabad. Where singer Atif Aslam walked out of the event because some groups in the crowd were harassing girls. What the hell is happening!"

One user added, "I don't know what exactly happened in Islamabad but bro, so much respect for Atif Aslam. This man never fails to impress."

Another user lauded the Doori crooner and shared, "What a solid reaction. He walked out of a concert in Islamabad last night when a girl was harassed by some shameless idiots. I am sure that next time, in Atif's concert, no one will dare to do anything inappropriate."

The much-needed step:

An alleged screenshot of the singer responding to a fan after the ruckus has been making rounds on social media. In the said Instagram chat, a user apologised to the singer and wrote, "Sir, extremely sorry for tonight. There are some black sheeps who ruin it for everyone."

The user expressed disappointment from the attendees and added, "Please call out management, so this does not happen again."

To this, Atif replied, "Don't be sorry, I love Islamabad. At least, we saved some families from any mishap by stopping the event." The screenshot could not be verified independently.

Previous incidents:

This, however, isn't the first time video of Aslam interrupting his live performance has made rounds on social media. At a Karachi concert, the Pehli Nazar singer called out a group of men who were harassing a girl and told the alleged harassers. "Have you ever seen a girl? She could be your mother or a sister," the singer had said at that point. The venue was overcrowded and several girls reported being harassed.

Atif had then called security after seeing the attack. A video, too, was posted on Twitter which showed the guards pulling the girl by the arms from the crowd and taking her to the stage.

https://tribune.com.pk/story/233367...cert-midway-to-save-families-from-any-mishaps